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	<title>(teo) xiao ting</title>
	<link>https://txting.space</link>
	<description>(teo) xiao ting</description>
	<pubDate>Wed, 05 Jun 2024 07:35:02 +0000</pubDate>
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		<title>values/aspirations</title>
				
		<link>http://txting.space/values-aspirations</link>

		<comments></comments>

		<pubDate>Wed, 05 Jun 2024 07:35:02 +0000</pubDate>

		<dc:creator>(teo) xiao ting</dc:creator>
		
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	<item>
		<title>offerings</title>
				
		<link>http://txting.space/offerings-1</link>

		<comments></comments>

		<pubDate>Fri, 07 Jul 2023 07:29:44 +0000</pubDate>

		<dc:creator>(teo) xiao ting</dc:creator>
		
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		<description>about&#38;nbsp; &#38;nbsp;writing



container crafting &#38;amp; facilitation


imagining the afterlife
artist and facilitator
national library board of singapore, 2025
becoming intertidal
artist and workshop facilitator with jill j. tanthe listening biennial, 2025
becoming rocks
stranger-in-residence
stranger conversations, 2025
mapping conflict in the body
workshop designer and facilitator
indignation, 2025

auction for the afterlife
artistcomma festival, *SCAPE, 2025


conflict &#38;amp; communication 101
workshop designer and facilitator
CITRUS fest, 2024
tracing attentions: somatic explorations of mindfulness
&#38;nbsp;workshop designer and facilitator

as part of an undergraduate course at yale-nus college,

topics in buddhist philosophy

by dr. sherice ngaserin, 2024

slow art X and slow art jam
program consultant and primary facilitator
national gallery of singapore, 2023-present


developing the critical word in an age of opinion


panel moderatorsingapore international film festival, 2021




transcreation: translating a language you don't know?
panelist &#38;amp; workshop facilitator
singapore writers festival, 2020
manuscript bootcamp (poetry [2019], prose [2020]),program manager singlitstation, 2019-2020




Android Pythons and the Ferocious Femininepanel moderatorsingapore writers festival, 2019


let’s cook soup together! 
workshop creator and co-facilitator&#38;nbsp;with janel ang
the future of our pasts festival, 2019

programs &#38;amp; residencies
youth jury &#38;amp; critics programme
participantsingapore international film festival, 2020

citizens’ reviews
citizen reviewercentre 42, 2019


performance criticism mentorship with corrie tan
participant
artsequator, 2018-2019
summer artist residency

fellow-artist
 virginia center for the creative arts, 2018

points of view (performance writing),
as part of SIFA 2018
participant asian dramaturgs’ network &#38;amp; centre 42,&#38;nbsp;2018

manuscript bootcamp (poetry),
 participant singlitstation,&#38;nbsp;2017

 







education &#38;amp; trainingsinternal family systems – introduction &#38;amp; deepening course
the elephant group, 2024
8-week immersion for embodying nonviolent communication
&#38;nbsp;liminal somatics, 2022
biodynamic craniosacral therapy practitioner training course
&#38;nbsp;body intelligence, 2022-ongoing
postgraduate diploma in counselling psychology
&#38;nbsp;college of allied educators, 2021-2022


trauma-informated relational somatics, with mentorship by natalia rachel&#38;nbsp;illuma health, 2021
bachelor of arts (with honours)
arts &#38;amp; humanities with a minor in psychology
yale-nus college, 2018


2-week long workshop participant workcenter 
of jerzy grotowski &#38;amp; thomas richards, focused research team (art as vehicle), 2017


</description>
		
		<excerpt>about&#38;nbsp; &#38;nbsp;writing    container crafting &#38;amp; facilitation   imagining the afterlife artist and facilitator national library board of singapore, 2025...</excerpt>

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	<item>
		<title>writing</title>
				
		<link>http://txting.space/writing</link>

		<comments></comments>

		<pubDate>Fri, 07 Jul 2023 07:28:00 +0000</pubDate>

		<dc:creator>(teo) xiao ting</dc:creator>
		
		<category><![CDATA[]]></category>

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about &#38;nbsp; offerings

art criticism or, responsive writingthere and then, here and now
written in collaboration with milton lim, as part of the more we get together
global cultural alliance, 2025
To Dwell A Little Longer
Feelers, 2025
On exposure and protection: “REFUGE” by The Observatory
Jom, 2024




Slated for [ ]: on Declutter Me! and Frequencies,
 on the Substation’s annual Septfest 2022: uproot &#124; rootless, 2022

Natasha, A Biennale By Any Other Name

on the Singapore Biennale 2022

Peepbird: Decay and Transformation

Between devil and the deep blue sea: From stage to screen

blueprint #14, Centre 42, 2020




Movement In Search Of Form


&#38;nbsp; &#38;nbsp; Quarterly Literary Review Singapore, 2020



Letters to and from “yesterday it rained salt”
on yesterday it rained salt by Nabilah Said, 2019
&#38;nbsp;

Addressee Not Found: Scouring for Singapore through Five FilmsAsian Film Archive, 2019




Contortions and Gentle Songs: SEA at Venice Biennaleon the Venice Biennale 2019
To V and S in “Off Centre”
on 
Off Centre by The Necessary Stage, 2019


Walking Alongside “BITTEN: return to our roots”



on&#38;nbsp;BITTEN: return to our roots by Dr Nidya Shanthini Manokara and Thong Pei Qin, 2019

Down the Fast Food Chain of Desire in “The Reunification of the Two Koreas”


on 

The Reunification of the Two Koreas by theatreWorks, 2018


Truth or Dare with “Lear is Dead”

on&#38;nbsp;Lear is Dead by nine years theatre, 2018



Growing up Everywhere and Nowhere in “Peter and the Starcatcher”

on 

Peter and the Starcatcher by pangdemonium, 2018
interviews &#38;amp; collaborative writing
Grace Lee-Khoo: Rehearsing for Life through Theatre

Centre 42, 2024


Nelson Chia: Looking Back In Order to Look Forward
Centre 42, 2024
here, there, ghim moh
hot pot talk: measure of a meal, 2021


briefly, in the news (translation/transcreation of செய்திகளின் சாரம் by Ayilisha Manthira)Cordite Poetry Review, 2020

bubble missivesin collaboration with Jill Tan
Brack, 2020
ripple ripple faustus (with Corrie Tan)
response to 

Faust/us by nine years theatre, 2019

Letters to and from “yesterday it rained salt” (with Nabilah Said)on yesterday it rained salt by Bhumi Collective, 2019






rough &#124;&#38;nbsp; materialsof zoos, 2019




11 X 9: collaborative poetry from the philippines and singapore
math paper press, 2019




call and responsemath paper press, 2018





other writings

queer trauma portfolio
denver quarterly, 2019



&#38;nbsp; &#38;nbsp;&#38;nbsp; water bodies &#124; isolation ward 
quarterly literary review singapore, 2017

 &#38;nbsp; 
this is not a safety barrier
ethos books, 2016
inheritance: an anthologymath paper press, 2016</description>
		
		<excerpt>about &#38;nbsp; offerings  art criticism or, responsive writingthere and then, here and now written in collaboration with milton lim, as part of the more we get...</excerpt>

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	<item>
		<title>bubble-drawings</title>
				
		<link>http://txting.space/bubble-drawings</link>

		<comments></comments>

		<pubDate>Fri, 01 May 2020 10:52:29 +0000</pubDate>

		<dc:creator>(teo) xiao ting</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description> 

about 



&#38;nbsp;selected works  &#38;nbsp; CV  
 




Instructions for capturing bubble traces

Ingredients:
Liquid shampoo
Thin drinking straws
Containers of any size
Water-soluble ink
Paper of your choice
1. In the container, pour a generous squeeze of ink and add water till the halfway mark of the container.
2. Add a few energetic pumps of shampoo to the ink-water mixture, and stir evenly.
3. Prepare a water-proof flat surface and wet it with water.
4. Stick the drinking straw into the container of soapy ink water and blow bubbles the way you would a drink when you’re bored.
5. When the bubbles overflow, allow them to land on the surface you’ve prepared. 6. Touch the paper surface gently onto the bubbles, lift and admire the swirling pop of colour.*7. You can also just blow individual bubbles onto the wet surface, the same principle applies.&#38;nbsp;



Here are some bubble drawings I’ve made over the course of three months in Taiwan, Taichung:

&#60;img width="720" height="1280" width_o="720" height_o="1280" src_o="https://cortex.persona.co/t/original/i/d166a8bd515f1cfb347653cc9fbec32da8ba1ad9327ebbf408a9b3317a1eb6fd/photo_2020-05-01_19-42-12.jpg" data-mid="911842" border="0" /&#62;
&#60;img width="883" height="1280" width_o="883" height_o="1280" src_o="https://cortex.persona.co/t/original/i/46430023e4ca8ff4bfab4b15757b6301215ace4cdf9cb45980c3396d5fd79efb/photo_2020-05-01_19-42-21.jpg" data-mid="911843" border="0" /&#62;
&#60;img width="960" height="1280" width_o="960" height_o="1280" src_o="https://cortex.persona.co/t/original/i/6367405c17425030481e209aa6f544d59518791d5ea7c929b4c6d44a8fbfb139/photo_2020-05-01_19-41-59.jpg" data-mid="911844" border="0" /&#62;have fun blowing bubbles~ do share them with me at IG: @blublubop if you wish ：）</description>
		
		<excerpt>about     &#38;nbsp;selected works  &#38;nbsp; CV         Instructions for capturing bubble traces  Ingredients: Liquid shampoo Thin drinking straws Containers of any...</excerpt>

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	<item>
		<title>selected works</title>
				
		<link>http://txting.space/selected-works</link>

		<comments></comments>

		<pubDate>Tue, 04 Sep 2018 20:47:57 +0000</pubDate>

		<dc:creator>(teo) xiao ting</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">286895</guid>

		<description>about&#38;nbsp; writing &#38;nbsp;

presences





. 




ripple ripple faustus
collaborative response to faust/us by nine years theatre,
with corrie tan, 






Down the Fast Food Chain of Desire in “The Reunification of the Two Koreas”
by TheatreWorks
is an interactive piece of performance criticism. click on the image to play with it.

&#60;img width="2155" height="1160" width_o="2155" height_o="1160" src_o="https://cortex.persona.co/t/original/i/afd3faf705434bd28299c8507f9b24d2d11143aaf2c203b929f2e7196abe963c/TWINE.JPG" data-mid="745032" border="0" /&#62;



excerpt from 


Letters to and from “yesterday it rained salt”


“Dear yesterday it rained salt,


You crept up on me. After I met you that Saturday afternoon, after 
those initial moments of inexplicable resonance with what you presented —
 about the intricacies of a father-son relationship, about a sea goddess
 that is at once patient and unyielding — I found myself sitting with a 
quiet weight for days to come. It got me thinking about the unsurmountable yet hopeful distance between here-and-there, 
now-and-then — words by José Esteban Munõs from Cruising Utopia.
 So much of the future is already waiting inside us as intimate 
imaginations. I am often impatient when it comes to the future. I want 
it — whatever it is — to come now. Yet I want the past to be with me, giving me the familiarity I often crave, now. We can’t always have both at the same time, can we?


So I watch, as KayKay Nizam and Soultari Amin Farid navigate each 
other, to try and understand each other, playing father and son.”


excerpt fromTo V and S in “Off Centre”by The Necessary State


“Dear Saloma and Vinod,

I first met the two of you seven years ago, when I was 16. I dissected your words, and tried to live alongside you in Off Centre. I fear I have outlived you. Yet after meeting the both of you again, I know I have not. I may never. So do many others since 2007, when your world became a cornerstone text read and studied by thousands of other 16-year-olds every year, as they prepare for a major national examination. The fictional world has a way of outliving what we know as reality. It restates that horrid, beautiful luxury each time Off Centre is restaged, reviving ghosts of those who have, who are, coping with their mental health. Reality has no such luxury. People slip through the cracks all the time.”
















</description>
		
		<excerpt>about&#38;nbsp; writing &#38;nbsp;  presences      .      ripple ripple faustus collaborative response to faust/us by nine years theatre, with corrie tan,        Down the...</excerpt>

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	<item>
		<title>about</title>
				
		<link>http://txting.space/about-1</link>

		<comments></comments>

		<pubDate>Mon, 17 Aug 2015 23:34:03 +0000</pubDate>

		<dc:creator>(teo) xiao ting</dc:creator>
		
		<category><![CDATA[]]></category>

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		<description>&#38;nbsp;writing &#38;nbsp; offeringstxting teo (a.k.a teo xiao ting)


works in intimate and sometimes invisible spaces to sprout worlds that are more joyous, habitable, and honest. Presently, their practice materialises as arts writing, workshop facilitation, and one-on-one therapy sessions. They are committed to CITRUS practices, a working group of arts practitioners exploring ways to build towards better practices around care and intimacy in artmaking.


She is currently an affiliate clinical mental health and somatic practitioner at Sol Therapy, and runs an intimate practice named Rehearsal Room.






 teo.xiaoting@gmail.com



photograph by teo xiao ting.

all rights reserved.</description>
		
		<excerpt>&#38;nbsp;writing &#38;nbsp; offeringstxting teo (a.k.a teo xiao ting)   works in intimate and sometimes invisible spaces to sprout worlds that are more joyous, habitable,...</excerpt>

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