about    presences

art criticism or, responsive writing

Slated for [ ]: on Declutter Me! and Frequencies,
on The Substation’s annual SeptFest 2022: uproot | rootless, 2022

Natasha, A Biennale By Any Other Name
on the Singapore Biennale 2022

Peepbird: Decay and Transformation
Between devil and the deep blue sea: From stage to screen
blueprint, centre 42, 2020

Movement In Search Of Form
quarterly literary review singapore, 2020

Addressee Not Found:
Scouring for Singapore through Five Films
asian film archive, 2019

Contortions and Gentle Songs: SEA at Venice Biennale
on the Venice Biennale 2019

To V and S in “Off Centre”
on Off Centre by The Necessary Stage, 2019

Walking Alongside “BITTEN: return to our roots”
on BITTEN: return to our roots by Dr Nidya Shanthini Manokara and Thong Pei Qin, 2019

Down the Fast Food Chain of Desire in “The Reunification of the Two Koreas”
on The Reunification of the Two Koreas by TheatreWorks, 2018

Truth or Dare with “Lear is Dead”
on Lear is Dead by Nine Years Theatre, 2018

Growing up Everywhere and Nowhere in “Peter and the Starcatcher”
on Peter and the Starcatcher by Pangdemonium, 2018

interviews & collaborative writing

here, there, ghim moh
hot pot talk: measure of a meal, 2021

briefly, in the news (translation/transcreation of
செய்திகளின் சாரம் by Ayilisha Manthira)
cordite poetry review, 2020

bubble missives
in collaboration with jill tan
brack, 2020

ripple ripple faustus (with Corrie Tan)
response to Faust/us by Nine Years Theatre, 2019

Letters to and from “yesterday it rained salt” (with Nabilah Said)
on yesterday it rained salt by Bhumi Collective, 2019

of zoos, 2019

11 X 9:
collaborative poetry from the philippines and singapore

math paper press, 2019

call and response
math paper press, 2018

other writings

queer trauma portfolio
denver quarterly, 2019

     water bodies | isolation ward
quarterly literary review singapore, 2017
this is not a safety barrier
ethos books, 2016

inheritance: an anthology
math paper press, 2016