about presences
art criticism or, responsive writing
Slated for [ ]: on Declutter Me! and Frequencies,
on The Substation’s annual SeptFest 2022: uproot | rootless, 2022
Natasha, A Biennale By Any Other Name
on the Singapore Biennale 2022
Peepbird: Decay and Transformation
Between devil and the deep blue sea: From stage to screen
blueprint, centre 42, 2020
Movement In Search Of Form
quarterly literary review singapore, 2020
Addressee Not Found:
Scouring for Singapore through Five Films
asian film archive, 2019
Contortions and Gentle Songs: SEA at Venice Biennale
on the Venice Biennale 2019
To V and S in “Off Centre”
on Off Centre by The Necessary Stage, 2019
Walking Alongside “BITTEN: return to our roots”
on BITTEN: return to our roots by Dr Nidya Shanthini Manokara and Thong Pei Qin, 2019
Down the Fast Food Chain of Desire in “The Reunification of the Two Koreas”
on The Reunification of the Two Koreas by TheatreWorks, 2018
Truth or Dare with “Lear is Dead”
on Lear is Dead by Nine Years Theatre, 2018
Growing up Everywhere and Nowhere in “Peter and the Starcatcher”
on Peter and the Starcatcher by Pangdemonium, 2018
interviews & collaborative writing
here, there, ghim moh
hot pot talk: measure of a meal, 2021
briefly, in the news (translation/transcreation of
செய்திகளின் சாரம் by Ayilisha Manthira)
cordite poetry review, 2020
bubble missives
in collaboration with jill tan
brack, 2020
ripple ripple faustus (with Corrie Tan)
response to Faust/us by Nine Years Theatre, 2019
Letters to and from “yesterday it rained salt” (with Nabilah Said)
on yesterday it rained salt by Bhumi Collective, 2019
rough | materials
of zoos, 2019
11 X 9:
collaborative poetry from the philippines and singapore
math paper press, 2019
call and response
math paper press, 2018
other writings
queer trauma portfolio
denver quarterly, 2019
water bodies | isolation ward
quarterly literary review singapore, 2017
this is not a safety barrier
ethos books, 2016
inheritance: an anthology
math paper press, 2016